Prabhas (Chandrabhaga)
प्रभास शक्तिपीठ (चन्द्रभागा)
The Shakti Peetha at ancient Prabhas beside Somnath, where the goddess dwells as Chandrabhaga, guarded by the Bhairava Vakratunda, at the Triveni Sangam by the Arabian Sea
Prabhas Patan, Gujarat, India
Prabhāsa (Candrabhāgā) ŚaktipīṭhaAlso known as: Chandrabhaga Shakti Peetha, Prabhas Patan Shakti Peetha, Prabhasa Devi, Chandrabhaga Devi
Prabhas (Chandrabhaga)
प्रभास शक्तिपीठ (चन्द्रभागा)
Era
An ancient tirtha of Gujarat, counted among the Shakti Peethas; the shrine of the goddess stands within the sacred complex of Prabhas Patan beside the Somnath temple, a site of great antiquity
Architecture
A Gujarati temple of the goddess at Prabhas Patan, in the regional idiom of Saurashtra, within the ancient tirtha-kshetra beside the Somnath Jyotirlinga
Special
The temple keeps the daily worship of the goddess with its rounds of puja and aarti in the Gujarati Shakta manner. Timings are set by the temple and vary with the ritual calendar, above all around Navaratri and Kartik Purnima; they should be confirmed locally, and can be combined with the darshan of the Somnath Jyotirlinga nearby.
The Sacred Legend · पवित्र कथा
Among the Shakti Peethas, the places where the body of Sati is held to have fallen and where the goddess dwells as a Shakti with her guardian Bhairava, is Prabhasa, at the ancient tirtha of Prabhas Patan on the Saurashtra coast of Gujarat, beside the great Somnath temple, where the sea meets the land. Here, the traditional lists hold, a part of Sati's body came to earth, and the goddess abides as Chandrabhaga, watched over by the Bhairava Vakratunda. The story behind all the Shakti Peethas is one: Sati, wife of Shiva and daughter of Daksha, cast her life away at her father's sacrifice when he slighted her lord, and Shiva, mad with grief, carried her body across the worlds in a dance that threatened all creation, until Vishnu's discus cut the corpse away piece by piece, and each place where a part fell became a peetha, a seat of the goddess. Prabhasa is one such seat, the goddess present in the ground itself. Prabhas, the shining tirtha, is among the most ancient sacred sites of Gujarat, holy long before the tradition reckons the falling of the body. It stands at the Triveni Sangam, where the Hiran, the Kapila and the vanished Saraswati are held to meet the sea; it is the place where, in tradition, Krishna departed the world; and it is the seat of the Somnath Jyotirlinga, the first of the twelve lights of Shiva. The Shakti Peetha sits within this deeply layered sacred landscape, joining the antiquity of Prabhas to the tradition of the scattered body of Sati.
Sacred Designationपवित्र पदनाम
Shakti Peeth
Shakti: Chandrabhaga
Bhairava: Vakratunda
Sacred Origin Storyपवित्र उत्पत्ति कथा
Source: The Shakti Peetha tradition of the Sati myth, and the Shakta tradition of Gujarat and Saurashtra
The origin of every Shakti Peetha is the story of Sati and Daksha. Daksha, the great progenitor, held a sacrifice and did not invite his daughter Sati and her husband Shiva, or invited them only to insult Shiva before the assembled gods. Sati, unable to bear the dishonour of her lord, cast off her body in the sacrificial fire, or by her own yogic power. When Shiva learned of it he was consumed with grief and rage; he took up her body and began the tandava, the dance of destruction, carrying her corpse across the worlds, and the shaking of his dance threatened to unmake creation.
To end the danger and to release Shiva from his grief, Vishnu followed with his Sudarshana chakra and cut away the body of Sati piece by piece as Shiva carried it, so that the parts fell to earth across the land. Each place where a part of the goddess fell became a Shakti Peetha, a seat where the goddess is present in the ground, worshipped as a particular Shakti and guarded by a particular form of Shiva as her Bhairava.
At Prabhasa, the shining tirtha on the Saurashtra coast, the traditional lists hold that a part of Sati's body fell, given in the common accounts as the stomach, and the goddess dwells here as Chandrabhaga, with the Bhairava Vakratunda. The seat lies within one of the most sacred landscapes of Gujarat, beside the Somnath Jyotirlinga, at the Triveni Sangam where the Hiran, the Kapila and the vanished Saraswati are held to meet the sea, and near the place where, in tradition, Krishna departed the world. As with all the peethas, the lists vary in their attributions, some giving other body parts and other names, but the sanctity of the goddess at Prabhas is held to reach back to the falling of the body itself, layered upon a tirtha already ancient.
Sources cited:
- Shakti Peetha tradition of the Sati myth (Puranic and Tantric lists)
- Shakta tradition of Gujarat and Saurashtra
- Prabhas Khanda tradition of the Skanda Purana associated with Prabhas Patan
- Local tradition of the goddess shrine at Prabhas Patan
Other Traditions · अन्य परंपराएँ
The variation of the Shakti Peetha lists
Scholarly Context
The Shakti Peethas are the network of goddess shrines linked by the myth of the fallen body of Sati, enumerated in a family of Puranic and Tantric lists that vary in number, from a smaller traditional set to the widely cited fifty-one, and in the body parts, Shaktis and Bhairavas assigned to each. They are among the most important frameworks of Shakta pilgrimage, mapping the goddess across the subcontinent as her scattered body. Prabhasa, on the Saurashtra coast beside Somnath, is one of the peethas of this network, its Shakti commonly given as Chandrabhaga and its Bhairava as Vakratunda, with the stomach as the body part in the common lists. Prabhas Patan, the ancient Prabhasa, is one of the most storied tirthas of Gujarat: the seat of the Somnath Jyotirlinga, the first of the twelve lights of Shiva; the Triveni Sangam where the Hiran, the Kapila and the vanished Saraswati are held to meet the sea; and the place associated in tradition with the departure of Krishna, whose Bhalka Tirtha and Dehotsarga lie nearby. The Shakti Peetha is woven into this layered sacred geography, one strand among many that make Prabhas a great tirtha-kshetra. As with all the peethas, the attributions vary between the lists, and the tradition of the Shakti Peethas is best understood not as a single fixed scheme but as a family of overlapping enumerations that together map the Shakta sacred geography. Eternal Raga presents the commonly cited tradition of Prabhasa, noting the variation, and treats the site as an ancient goddess seat set within one of the most sacred landscapes of Gujarat.
Historyइतिहास
Prabhasa is one of the Shakti Peethas, the seats of the goddess linked by the myth of the fallen body of Sati, located at Prabhas Patan on the Saurashtra coast of Gujarat, beside the great Somnath temple. The traditional lists hold that a part of Sati's body fell here, and the goddess dwells as Chandrabhaga, with the Bhairava Vakratunda.
Prabhas, the shining tirtha, is of the deepest antiquity in the sacred geography of Gujarat, holy long before the tradition reckons the falling of the body. It is the seat of the Somnath Jyotirlinga, the first of the twelve lights of Shiva, whose temple by the sea has been destroyed and rebuilt across the ages and stands today as one of the great pilgrim shrines of India. It is the Triveni Sangam, where the Hiran, the Kapila and the vanished Saraswati are held to meet the Arabian Sea, a confluence sacred for the rites of the ancestors. And it is the place associated in tradition with the departure of Krishna from the world, whose Bhalka Tirtha and Dehotsarga lie close by. The Shakti Peetha of Chandrabhaga is set within this layered kshetra, its sanctity joined to that of Somnath, the confluence and the memory of Krishna.
As a Shakta seat of Gujarat, Prabhasa stands within the goddess tradition of the region, its worship following the Gujarati Shakta manner, and its calendar marked by the great goddess festivals, above all Navaratri, the height of the Gujarati devotional year with its nights of garba and the worship of the Devi. The peetha's attributions, like those of all the Shakti Peethas, vary between the traditional lists, but its standing as an ancient seat of the goddess within the Prabhas kshetra is secure in the tradition.
Prabhasa remains a living seat of the goddess, drawing devotees of the Devi and pilgrims of the Shakti Peetha tradition who come to the place where a part of Sati is held to have fallen, most of them combining it with the darshan of the Somnath Jyotirlinga and the tirthas of the sacred coast. It joins the vast antiquity of Prabhas to the tradition of the goddess, a place where the Devi has been worshipped, the tradition holds, since the body of Sati came to earth here, within a landscape already ancient and holy.
Historical Timelineऐतिहासिक कालक्रम
Prabhas, the shining tirtha on the Saurashtra coast, flourishes as one of the most ancient sacred sites of Gujarat, holy for the Triveni Sangam of the Hiran, Kapila and Saraswati where they meet the sea.
Prabhas is celebrated in the Prabhas Khanda associated with the Skanda Purana as one of the great tirthas of the western sea.
In tradition, Krishna departs the world at Prabhas, the Bhalka Tirtha and Dehotsarga nearby marking the site of the passing, deepening the sanctity of the kshetra within which the Shakti Peetha lies.
The association of Prabhas with the end of Krishna's earthly life is drawn from the Mausala Parva of the Mahabharata and later tradition.
In the tradition of the Shakti Peethas, a part of Sati's body falls at Prabhasa, and the goddess comes to dwell there as Chandrabhaga with the Bhairava Vakratunda.
The body part assigned to Prabhasa, commonly the stomach, varies between the traditional lists of the peethas.
The Somnath Jyotirlinga, the first of the twelve lights of Shiva, is established by the sea at Prabhas, making the kshetra a centre of pan-Indian pilgrimage within which the goddess is also worshipped.
The goddess is worshipped at Prabhas as Chandrabhaga, and the seat develops as a Shakta shrine of Saurashtra woven into the Shakti Peetha tradition and the wider sanctity of the Prabhas kshetra.
The Somnath temple is destroyed and rebuilt across the ages, and the shrines of the Prabhas kshetra, including the seat of the goddess, share in the turbulent history of the sacred coast.
The repeated destruction and rebuilding of Somnath is among the most storied episodes of medieval Indian history.
The Shakti Peetha lists, Puranic and Tantric, enumerate Prabhasa among the seats of the fallen body of Sati, giving its Shakti as Chandrabhaga and its Bhairava as Vakratunda.
The lists vary in their attributions; Chandrabhaga and Vakratunda are the commonly cited names for Prabhasa.
Prabhas Patan and its shrines are recorded in colonial-era gazetteers of the Bombay Presidency and Saurashtra, which note the ancient tirtha of Prabhas, the Somnath temple and the goddess worship of the coast.
The Somnath temple is rebuilt and reconsecrated in independent India, renewing Prabhas as a great centre of pilgrimage and drawing fresh attention to the ancient shrines of the kshetra, including the seat of the goddess.
The rebuilt Somnath temple was reconsecrated in 1951, a landmark event in the sacred life of Prabhas.
The identification of Prabhas with the Shakti Peetha of Chandrabhaga is carried in the modern Shakta pilgrimage, drawing to the goddess of the ancient tirtha those who follow the circuit of the seats of the fallen body of Sati.
Prabhasa remains a living seat of the goddess, drawing devotees of the Devi and pilgrims of the Shakti Peetha tradition, most combining it with the darshan of the Somnath Jyotirlinga and the tirthas of the sacred coast.
The kshetra fills for Navaratri with its nights of garba, for Kartik Purnima at the sea, and for the great fairs of the coast, the seat of the goddess sharing in the region's most vivid celebrations.
What You'll Seeदर्शन में
The goddess of Prabhasa is worshipped as Chandrabhaga, the Shakti of the Shakti Peetha tradition, in the form of the Devi honoured in the Gujarati Shakta manner. As at the other peethas, the deepest object of worship is not only the image but the place itself, the ground where a part of Sati is held to have fallen, so that the goddess is present in the earth of the seat, within a kshetra already hallowed by Somnath, the confluence and the memory of Krishna.
The Shakti Peetha tradition gives each seat its Shakti and its Bhairava, the goddess and the guardian form of Shiva who watches over the fallen part; at Prabhasa the Shakti is Chandrabhaga and the Bhairava Vakratunda, and the worship of the goddess is understood within this pairing of the Devi and her Bhairava. The name Chandrabhaga carries the light of the moon within it, in keeping with the shining tirtha of Prabhas, the place of splendour.
The seat stands within the ancient kshetra of Prabhas Patan, beside the Somnath Jyotirlinga and near the Triveni Sangam, and its iconography joins the antiquity of the tirtha to the tradition of the fallen body. The controlling image remains the goddess as the present power of the seat, Chandrabhaga worshipped in the ground where the body of Sati came to earth, watched by her Bhairava, in the maternal and protective form in which the goddess of Gujarat is loved through the nights of Navaratri and the year round.
Distinctive Practicesविशिष्ट परंपराएँ
Worship of the Goddess at the Fallen Seat
गिरे आसन पर देवी की उपासना
Daily, at the temple
The central worship of Prabhasa is offered to the goddess Chandrabhaga as the present power of the seat where a part of Sati is held to have fallen, in the Gujarati Shakta manner of daily puja, offering and aarti.
In the Shakti Peetha tradition the goddess is present not merely in the image but in the ground, the seat where a part of her body fell, so that to worship at Prabhasa is to worship the Devi in the earth of the place. The Gujarati Shakta manner, with its maternal and protective goddess, its offerings and its intensity of devotion, is the form this worship takes, and the daily puja is offered to a presence held to be truly there, in the seat hallowed by the falling of the body and set within the ancient kshetra of Prabhas.
The Reverence of the Shakti and her Bhairava
शक्ति और उनके भैरव की श्रद्धा
In the worship of the peetha
At Prabhasa, as at the Shakti Peethas, the goddess Chandrabhaga is worshipped together with her Bhairava, Vakratunda, the guardian form of Shiva who watches over the fallen part, so that the Devi and her Bhairava are held together in the devotion of the seat.
Each Shakti Peetha holds a Shakti and a Bhairava, the goddess and the form of Shiva who guards her seat, and the pairing expresses the completeness of the tradition: the fallen body of Sati is not abandoned but watched over, the goddess present in the ground and Shiva present as her guardian. To revere the Shakti and the Bhairava together is to worship the seat whole, the Devi in her power and Shiva in his care, the two who were parted in the myth held together again at the peetha; and at Prabhas this pairing stands within the kshetra of the Somnath Jyotirlinga, so that Shiva's presence is felt on every side.
Navaratri and the Nights of Garba
नवरात्रि और गरबा की रातें
Navaratri and the goddess festivals
The peetha keeps the great goddess festival of Navaratri, the height of the Gujarati devotional year, with its nine nights of worship of the Devi and the garba danced in her honour, marking the year of the seat with the intensity of Gujarat's Shakta devotion.
Gujarat is among the great homes of goddess worship, and Navaratri, with its nine nights of the Devi and the circling dance of the garba around the lamp that is the goddess, is the fullest expression of the Shakta devotion in which the peetha stands. To keep it at Prabhasa, a seat of the fallen body of Sati, is to join the annual cycle of the goddess's worship to the ancient sanctity of the place, the living festival of the region celebrated where the Devi is held to be present in the ground itself, within the shining tirtha of Prabhas.
Did You Know?क्या आप जानते हैं?
Prabhasa is one of the Shakti Peethas, the seats where the body of Sati is held to have fallen, located at Prabhas Patan on the Saurashtra coast of Gujarat, beside the Somnath temple.
Shakti Peetha tradition
At Prabhasa the goddess dwells as Chandrabhaga, whose name carries the light of the moon, with the Bhairava Vakratunda.
Shakti Peetha lists; local tradition
The Shakti Peetha lies within the ancient kshetra of Prabhas, the seat of the Somnath Jyotirlinga, the first of the twelve lights of Shiva.
Jyotirlinga and Shakti Peetha tradition
Prabhas is the Triveni Sangam, where the Hiran, the Kapila and the vanished Saraswati are held to meet the Arabian Sea, a confluence sacred for the rites of the ancestors.
Puranic accounts of the Prabhas kshetra
In tradition Prabhas is the place where Krishna departed the world, the Bhalka Tirtha and Dehotsarga nearby marking the site of the passing.
Mahabharata and Puranic tradition of Krishna's departure
The Shakti Peethas arise from the myth of Sati and Daksha: her self-immolation, Shiva's grief-dance, and Vishnu's discus cutting her body into the parts that fell across the land.
Shakti Peetha tradition of the Sati myth
The body part assigned to Prabhasa, commonly given as the stomach, varies between the traditional Puranic and Tantric lists of the peethas.
Puranic and Tantric lists of the Shakti Peethas
Navaratri, with its nine nights of the Devi and the circling dance of the garba, is the height of the Gujarati devotional year and the great festival of the seat.
Shakta tradition of Gujarat
As at every Shakti Peetha, the goddess is held present not only in the image but in the ground itself, the seat where a part of Sati fell, here layered upon a tirtha already ancient.
Shakti Peetha tradition
Visitor Accessप्रवेश जानकारी
The temple is open to devotees, and traditional dress and conduct are expected as at a working Shakta shrine. Footwear is removed at the temple. Prabhasa is worshipped in the Gujarati Shakta manner, and its year is marked by the great goddess festivals, above all Navaratri with its nights of garba, when the region draws large numbers. On ordinary days the darshan is unhurried, and most pilgrims combine it with the nearby Somnath Jyotirlinga and the tirthas of the coast. Prabhas Patan is beside Veraval in Gir Somnath district, easily reached by road and rail, and the seat of the goddess lies within the sacred complex. Timings are set by the temple and vary with the ritual calendar; confirm current arrangements locally, especially around the goddess festivals and Kartik Purnima.
Prabhas Patan is beside Veraval in Gir Somnath district and is easily reached by road and rail, the seat of the goddess lying within the sacred complex near the Somnath temple. Dress traditionally and remove footwear at the temple. Come on an ordinary day for an unhurried darshan, or during Navaratri and the goddess festivals for the fuller intensity of the Gujarati Shakta worship, when the crowds are large. Pilgrims following the Shakti Peetha circuit take Prabhasa as one of the seats of the fallen body of Sati; almost all combine it with the darshan of the Somnath Jyotirlinga, the Triveni Sangam and the Bhalka Tirtha of Krishna's departure, all within the same kshetra. Confirm the temple's timings and the festival calendar locally before visiting.
Festivalsत्योहार
Navaratri
नवरात्रि
Sep-Oct (Ashwin)
The great autumn festival of the goddess, the height of the Gujarati Shakta year, observed at Prabhasa over its nine nights with the worship of the Devi and the garba danced in her honour, when the seat of the fallen body of Sati shares in Gujarat's greatest celebration of the goddess.
Chaitra Navaratri
चैत्र नवरात्रि
Mar-Apr (Chaitra)
The spring Navaratri, the second of the great nine-night festivals of the goddess, observed at Prabhasa with the worship of the Devi, marking the seat's devotion in the turning of the year toward the summer.
Kartik Purnima
कार्तिक पूर्णिमा
Nov (Kartik)
The full-moon festival of Kartik, kept with great sanctity at Prabhas by the sea and the Triveni Sangam, a time of bathing at the confluence and of the coastal fair, in which the seat of the goddess shares within the wider kshetra.
Somnath Mahashivaratri and the tirtha observances
सोमनाथ महाशिवरात्रि और तीर्थ अनुष्ठान
Feb-Mar (Phalguna) and through the year
The great night of Shiva at the Somnath Jyotirlinga, and the observances of the Prabhas kshetra through the year, mark the sacred landscape within which the seat of the goddess lies, the worship of the Devi joined to that of Shiva and the tirthas of the coast.
Traditional Offeringsपारंपरिक अर्पण
Primary Offerings
Red flowers and hibiscus (japa)
लाल पुष्प और जपा (गुड़हल)
Red flowers, above all the hibiscus, are offered to the goddess in the Shakta manner, the red of the flower read as the colour of the Devi's power and life; the hibiscus is especially dear to the goddess in her fierce and maternal forms.
Sindoor (vermilion) and kumkum
सिंदूर और कुमकुम
Sindoor and kumkum, the vermilion of the goddess, are offered and applied at the seat, marking the Devi as the auspicious, married and life-giving power; they are received back by devotees as her blessing.
Bhog and naivedya
भोग और नैवेद्य
Cooked food offered to the goddess as bhog and shared as prasad is central to the Shakta worship, the Devi fed and her prasad received by the devotees as her grace made tangible; in Gujarat the offering follows the sweets and dishes of the region.
Lamps and the goddess's stotras
दीप और देवी के स्तोत्र
Lamps and incense are offered in the daily worship, and the recitation of the goddess's stotras, above all the Devi Mahatmya and the Mahishasura Mardini Stotram, is held a high offering, the Devi worshipped in sung praise as in flower and food; the lamp of the garba is itself a form of this offering at Navaratri.
Chunari, saree and adornment of the goddess
देवी को चुनरी, साड़ी और शृंगार
A chunari or saree and the articles of a married woman's adornment, bangles, sindoor and the rest, are offered to the goddess as to a living mother and queen, the Devi dressed and adorned by her devotees in the Gujarati Shakta manner and her worn cloth received as a blessing.
Unique to This Temple
The Offering at the Seat of the Fallen Body within the Prabhas Kshetra
प्रभास क्षेत्र के भीतर गिरे शरीर के आसन पर भेंट
What is particular to a Shakti Peetha is that the offering is made not merely before an image but at the seat of the fallen body of Sati, where the goddess is held present in the ground itself. At Prabhasa the offering to Chandrabhaga is made in the conviction that the Devi is truly there, in the earth hallowed by the falling of the body, within a kshetra already holy for Somnath, the Triveni Sangam and the departure of Krishna. A devotee offers red flowers, sindoor, bhog and the goddess's stotras as at any Shakta shrine, but the offering the tradition holds highest is the reverence brought to the seat itself, the acknowledgment that here a part of the goddess came to earth and abides. Many pilgrims join their offering to the goddess with the darshan of the Somnath Jyotirlinga and a bath at the confluence of the rivers and the sea, so that the offering and the blessing meet within the whole sacred landscape of Prabhas.
Offerings at Prabhasa follow the Gujarati Shakta tradition, with red flowers, sindoor, bhog and the goddess's stotras central, made at the seat of the fallen body of Sati within the ancient kshetra of Prabhas. Eternal Raga presents these practices as a devotional tradition; specific arrangements should be confirmed at the temple.
How to Reachकैसे पहुँचें
Prabhas Patan lies beside Veraval in Gir Somnath district of Gujarat, on the Saurashtra coast by the Arabian Sea, the site of the ancient tirtha of Prabhas and the Somnath temple, and is easily reached from the towns of the region.
By air: Diu Airport is about 90 km away, the nearest airport, and Keshod and Rajkot airports also serve the region, from which Prabhas Patan is reached by road.
By rail: Veraval railway station, about 6 km away, is the nearest, on the Saurashtra network, connected to Rajkot, Ahmedabad and the wider system.
By road: Prabhas Patan is connected by road to Veraval, Junagadh, Rajkot and the towns of Saurashtra, served by buses and taxis; the seat of the goddess lies within the sacred complex near the Somnath temple.
Pilgrims following the Shakti Peetha circuit take Prabhasa as one of the seats of the fallen body of Sati, and almost all combine it with the darshan of the Somnath Jyotirlinga, the Triveni Sangam and the Bhalka Tirtha of Krishna's departure, all within the same kshetra of the sacred coast.
Plan Your Visitयात्रा की योजना
🌤 Best Season
October to March is the most comfortable time to visit, with milder temperatures on the Saurashtra coast. The autumn Navaratri, in September or October, and Kartik Purnima that follows in November, are the great festivals and the most vivid, though also the busiest, time at the seat and within the wider kshetra. April to June is hot on the coast, and the monsoon, roughly June to September, brings rain to the region. The post-monsoon and winter months, coinciding with the great goddess festivals and the pilgrim season of Somnath, are the best time both for the weather and for the fullness of the Shakta worship. Mornings and evenings, around the temple's puja and aarti, are the most atmospheric times for darshan, and the sea and the confluence draw pilgrims through the day.
👘 Dress Code
Traditional and modest dress is expected at the temple, as at a working Shakta shrine. Footwear is removed at the temple. Simple respectful attire is appropriate for the goddess's worship and for the darshan of the Somnath Jyotirlinga nearby.
📱 Phones & Photography
Photography is generally restricted within the sanctum, and strict security controls apply at the Somnath temple nearby; follow the posted rules and the directions of the temple, and keep phones silenced within the shrine.
🏨 Accommodation
Veraval and Prabhas Patan have accommodation for pilgrims and visitors, and there are dharamshalas and hotels serving the pilgrims of Somnath, within easy reach of the goddess shrine. The larger towns of Junagadh and Rajkot also offer a full range of hotels for those who prefer to stay there and visit. Demand rises around Navaratri, Kartik Purnima and the pilgrim season of Somnath, when the coast fills, and booking ahead is advisable at those times.
Sacred Soundsपवित्र ध्वनि
Did You Know? · क्या आप जानते हैं?
The same translation error that turned '33 Koti' into '33 crore' in Hinduism also happened in Buddhism. The Chinese translation of Buddhist texts rendered 'Sapta Koti Buddha' (7 Supreme Buddhas) as '7 Crore Buddhas.' The Tibetan translation got it right: 7 types, not 7 crore. One Sanskrit word, misread across two major world religions, generated two identical misconceptions independently.
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