Rath Yatra -- The Day Jagannath Comes Out to Meet Everyone
रथ यात्रा -- वह दिन जब जगन्नाथ सबसे मिलने बाहर आते हैं
For most of the year, Jagannath of Puri -- Krishna as "Lord of the Universe", with his elder brother Balabhadra and sister Subhadra -- is seen only by those who enter his temple, and for centuries not everyone could. Once a year that changes. On the second day of the bright fortnight of Ashadha, usually in June or July, the three deities are carried out of the temple in a swaying procession and placed on three enormous wooden chariots in the broad street outside. Then the crowds take the ropes and pull.
This is the Rath Yatra, the chariot festival, and it is one of the largest religious gatherings in the world. The chariots travel about three kilometres down the Bada Danda, the grand road, to the Gundicha temple, where the deities stay for about a week before the return journey, the Bahuda Yatra. For those who cannot enter the temple, this is the day the Lord comes out to them.
The Three Chariots
| Deity | Chariot | Wheels | Canopy colours |
|---|---|---|---|
| Jagannath | Nandighosha | 16 | Red and yellow |
| Balabhadra | Taladhvaja | 14 | Red and green |
| Subhadra | Darpadalana | 12 | Red and black |
The chariots are built new every year from specified kinds of timber by hereditary carpenters, following measurements fixed by tradition, and are dismantled afterwards. Balabhadra's chariot leads, Subhadra's follows, and Jagannath's comes last.
The festival is the climax of a cycle of rituals. On the full moon of Jyeshtha, Snana Purnima, the deities are bathed in public with 108 pots of water -- after which, the tradition says, they catch a fever and withdraw from view for about two weeks, a period called Anasara, while they are treated with herbal remedies and only special servitors attend them. They reappear refreshed just before the Rath Yatra. After the return journey, on the chariots outside the temple, they are dressed in gold ornaments (Suna Besha), and only then go back inside.
One moment of the festival is especially remembered. Before the chariots move, the Gajapati king of Puri, the traditional first servant of Jagannath, comes and sweeps the floor of each chariot with a broom with a golden handle, sprinkling sandalwood water. The rite, called Chhera Pahara, shows that before the Lord even a king is a sweeper.
आत्मानं रथिनं विद्धि शरीरं रथमेव तु । बुद्धिं तु सारथिं विद्धि मनः प्रग्रहमेव च ॥
ātmānaṃ rathinaṃ viddhi śarīraṃ rathameva tu | buddhiṃ tu sārathiṃ viddhi manaḥ pragrahameva ca ||
Know the Self as the lord of the chariot and the body as the chariot. Know the intellect as the charioteer and the mind as the reins.
— Katha Upanishad 1.3.3
The chariot is an old image in Indian thought. The Katha Upanishad compares the body to a chariot, the senses to its horses and the Self to the lord who rides in it; the Gita is spoken from a chariot with God as charioteer. Many devotees read the Rath Yatra in that light: the Lord rides in the chariot of the body, and pulling his chariot together is a picture of a life directed towards him. Tradition also says that whoever pulls the rope, or even touches it, gains great merit -- which is why people press forward in their thousands just to lay a hand on it.
The festival has travelled far beyond Puri. Rath Yatras are held in many Indian cities, notably Ahmedabad, and since 1967, when the first was held in San Francisco by the International Society for Krishna Consciousness, in cities around the world. The English word "juggernaut", for an unstoppable force, comes from early European accounts of the Puri chariots.
The wooden images of Jagannath, Balabhadra and Subhadra are themselves periodically renewed. In the ceremony of Nabakalebara, "new body", held in years with a doubled lunar month of Ashadha -- most recently in 2015 -- new images are carved from specially chosen neem trees, and the sacred essence of the deity is transferred from the old images to the new in secret, at night.
Meet Jagannath, the Lord of the chariot
Who Jagannath is, why his image has no hands, and the history of his temple at Puri.
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Eternal Raga · शाश्वत राग
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deities avatars
Jagannath -- Lord of the Universe, the Deity Without Hands and the World's Oldest Chariot Festival
He has no fingers, no feet, no sculpted facial features -- just enormous circular eyes on a flat wooden face. He is the most 'unfinished' deity in Hinduism, and he is worshipped by more people than almost any other form of Vishnu. The Jagannath temple in Puri is one of the four Char Dham, his Rath Yatra is the origin of the English word 'juggernaut,' and his theology breaks every rule of Hindu worship including caste -- at Jagannath's table, everyone eats together.
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Gita Govinda -- Jayadeva's Song of Radha and Krishna
Written in the twelfth century and still sung every night before Jagannath in Puri, Jayadeva's Gita Govinda turned the love of Radha and Krishna into music. What the poem is, how it is built, and why it changed Indian devotion, dance and music.
sacred artefacts
Utsava Murti -- The Processional Deity
The stone god in the sanctum never leaves. The metal god on the palanquin walks every street. This is the utsava murti, the deity that comes out to meet you. Every Chola bronze in a museum was once carried in procession. Every Brahmotsavam at Tirumala, every Rath Yatra at Puri, every temple car at Madurai, runs on the same principle: the god moves so the devotee need not travel to the sanctum to be seen.
divine arsenal
The Celestial Chariots -- Pushpaka Vimana, Arjuna's Ratha, and the Flying Machines of Hindu Mythology
Ravana's Pushpaka Vimana could fly across oceans and read its owner's mind. Arjuna's chariot bore Hanuman on its flag and was driven by God himself. These were not fairy tale carriages -- they may be literary encodings of technologies that ancient India actually possessed.
rituals traditions
Tirtha Yatra -- Why Hindus Travel to Get Closer to God
The word 'Tirtha' does not mean 'holy place.' It means 'crossing point' -- a ford where the river of worldly existence can be crossed to reach the far shore of liberation. Hindu pilgrimage is not tourism with a spiritual label. It is the deliberate journey to locations where the boundary between the material and the divine is believed to be thinnest -- where the crossing is easiest. From Kashi to Kailash, from Char Dham to Kumbh Mela, the tradition maps a sacred geography onto the physical landscape of the subcontinent, turning the act of travel itself into a spiritual practice.
deities avatars
Krishna Leela -- Why God Chose to Play
He stole butter, broke pots, lied to his mother's face, danced with married women under the full moon, and lifted an entire mountain on his little finger. The Bhagavata Purana's Tenth Skandha -- the most popular 4,000 verses in all of Hindu literature -- is not a biography. It is a theological argument that the Supreme Being's highest expression is not creation, destruction, or cosmic governance. It is play. Krishna Leela is the radical idea that God's truest nature is joy.
The wooden images of Jagannath, Balabhadra and Subhadra are themselves periodically renewed. In the ceremony of Nabakalebara, "new body", held in years with a doubled lunar month of Ashadha -- most recently in 2015 -- ne…
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